M—AO

 

the transition between the name of the installation and the conceptual image  leads us to the question, the unexpected momentum.
b. Metaphor

the absence of a comparative conjunction, the use of the expressive resource means to dismantle the embedded archetypes.
c. Place

the physical site of this piece is on one’s intellectual space to accept it.  
d. Composition

the contemporary order: Base; Shaft; Capital.
e. Emotion

there is a sense of appropriation of Louise Bourgeois’ work although we have no explanation for it; we have no rational explanation about our proposal.